content strategy

Lead With the Message, Not the Format

Format matters. As a record collector and content strategist, I say that with passion. But it’s not the most important concern. Content creators of the universe, please heed this advice: Lead with the message, not the format.

Why you are creating content in that format?

You’ve probably heard the request: “We need to create (video / gifs / animations / infographics) because everyone else is doing it / leadership wants it / I read an article about it.” Content is created. Then, the content disappoints. It doesn’t have to be this way.

We have reasons for creating content. Some good, some bad. Some of these things are out of our control, no doubt. However, even the most vocal advocates of the format-of-the-day will see the light when we start to talk about costs, benefits, and realities of content creation. No one wants crappy content, after all.

“Don’t value your content over the job you need your content to do,” said John Lane, Vice President at Centerline Digital in his presentation, “Content Marketing Art of War.” Don’t fall in love with a format because of its format-ness. Or its current popularity, for that matter. Formats carry the weight of our message. But they do not determine the message.

Avoid the published-equals-success scenario

We cannot communicate an idea without a format. The ideal situation is “we chose this format because it was best-suited to communicate our idea.” One serves the next. We are communicating ideas first.

Leading the content creation workflow with the format instead of the message is a flawed approach for most organizations. Success becomes “we completed and published” rather than “we conveyed the message and the user completed an action.” It’s a tactical rather than strategic act. Busywork, even.

Measures of wrongly-formatted content often devolve into page/video views or downloads, rather than the more valuable and considered metrics of conversion and task completion. Without knowing what you want the content to do, outside of existing, measurement turns into the binary situation of yes we have a video/no we do not.

And sometimes, the finished asset completely misses the mark. It kills the message. Videos end up rambling, and infographics bloat out of control. Organizations still publish it, even if they don’t like it, due to perceived sunk costs. THIS IS AN UNPLEASANT SITUATION.

Create with the message first, format second

Content creation plans MUST include a discussion of format. It should come early in the conversation. But only after you know your message, that thing you hope to convey.

Each format choice has pros and cons, bonuses and baggage. Video assets are tough to get right. Editing octopus-like infographics quickly changes their overall message and composition. Governance becomes a greater issue. Our choice can influence how the audience receives each message.

Production values and capabilities vary from org to org. That’s perfectly fine. My concern is less about the sheen of the finished product. I start a-fretting when form takes precedent over function. Basic messaging elements (i.e. focus, clarity, brevity) often suffer while superficial items such as logo treatments, music beds, and transitions see flawless execution.

Right, then. What to do? Create it as a video? An animation? A .gif? An infographic? Good old sentences? How does a content strategist approach content creation and formatting decisions?

  • State the message you hope to convey, and what you wish folks to do next.
  • Ask yourself, “Why are we doing this?” Write this down. Restate it. Say it out loud.
  • Articulate HOW this serves business goals, even if only as an exercise.
  • Carefully detail the workflow to show how the content will take shape. All of it.
  • Consider the capacity of your content creator(s). Do they have the skill set to tackle more sophisticated content? Or the time?

Know your audience: their habits, their abilities, their devices, their needs, their expectations, and their contexts. The counterpart of this is knowing yourself (or organization, actually): your production capabilities, your business goals, your larger content strategy. Each one of these has a bearing on which format you chose to deliver your message.

Publish (or choose not to) with confidence

Does the content you contribute shine through or does it distract through glitter?” asks content strategist and writer James C. Gunter in his article, “2014: The Year the Internet Finally Grows Up?” It’s is a fine question to ask and ask again throughout the content creation workflow.

Finally, don’t be afraid to kill the content before it kills your message. Each item you place online is an opportunity to set yourself apart from the competition. People (and more and more, search engines) are developing smarter content radars, and will go elsewhere when crappy content rears its ugly head. If the content isn’t great, wipe the slate. (Sorry.)

Instead of looking at completed-but-unpublished content as a sunk cost, consider a halted content endeavor a non-public failure and learning experience. Failing is fine; acknowledging it is the key. Apply your lessons to the next effort. It’ll thank you for it.


From Opera to Heirloom Harmonicas: My Top Six Musical Experiences of 2013

My view for “Arabella”

1. Attending the opera for the first time, and falling in love with it.

In the past, I devoted my live music attendance to heavy metal acts. Partly because of a steady stream of metal acts make their way to the metro area. It’s a fairly dependable situation within my comfort zone. Apart from the violence, that is. I’ve always hated the mosh pits, and I was nearly punched at a Motorhead show. That’s why I decided to go down a different path this fall. My taste is fairly broad, so an operatic excursion didn’t seem to far afield.

I’ve now seen two positively magical operas so far, Puccini’s “Manon Lescaut” and Strauss’ “Arabella” at the Minnesota Opera. My expectations were blown away. I walked through those doors not knowing what to expect, but walked out knowing that I would see as many opera performances that I possibly could from here on out. The stories, the rich sound of a live orchestra and voice, the set, the costumes—all MAGICAL.

They do a fantastic job of preparing the attendees for the experience with synopsis videos with the cast. They also project subtitles at each performance. This is handy, as my Italian is a bit non-existent. You should go. The MN Opera has three more productions in the 2013-2014 season. DO IT.

Instruments in Indian classical performance: mridangam, two violins, and ghatam.

2. Bringing my wife and 5YO to an Indian classical music concert.

The Indian Music Society of Minnesota’s concert season was the second outlet for my non-metal performance attendance.

I want to show my 5YO real-life, strong artists of both genders in all sorts of settings. With that in mind, we all went to the performance by the Akkari Sisters from India. This 5YO was attentive and lasted almost the entire three hours. Hands drummed along, there was shimmying in the seat, and many questions asked.

Now, when I have Indian music on the record player, the 5YO asks, “Is this Indian music?” which, of course, makes me rather proud.

Just dreamy…

3. Seeing Washed Out at First Avenue.

My wife and I have been fans of electronic and dreamy pop artist Washed Out for years, now. When we saw that he was set to perform at First Avenue, I knew we’d have to arrange for a sitter and make a proper date night out of it. My mother-in-law came up from Iowa for a few days, and we had green lights all the way.

That is, until we discovered a case of a certain hair-borne childhood malady upon our 5YO’s noggin on the NIGHT OF THE CONCERT. We combed and shampooed our way past our dinner reservation. Splitting a burrito at Chipotle is not what I had in mind for the ever-rare date night. There we sat, exhausted by the day, only half-looking forward to the concert at that point. But we went anyway.

It could not have been better. The lights were gorgeous, the music was loud, fresh, and familiar. Have you ever seen a show where the performer was just happy to be on stage, performing for you, at that moment? That’s what happened. Thankfully so, as we needed it.


4. Hearing the Jim Hall/Pat Metheney 1999 duo album for the first time, in a hotel at Disneyworld.

I downloaded the 1999 duo album by guitarists Jim Hall and Pat Metheney via the Rdio streaming music app on my phone. I was looking for something to calm my mind a bit, having driven 1500+ miles over several days to arrive at the Land of the Mouse.

I knew of the album, but never heard it. I’m not even sure why I chose that one. I really like Jim Hall (RIP), but the album came out over a decade ago. No matter. Playing that rich and lovely makes petty release dates seem…well…petty.

Funny how that works. I laid in a bed at a Disneyworld resort and had one of my top six musical revelations of 2013. Now every time I play it, I’m taken back to those delightful (and warm) vacation days.

Selfie at the Walker. (Too dark for concert photos).

5. Seeing Tim Hecker / Oneohtrix Point Never at the Walker Art Center.

Two of my favorite ambient electronic artists on the same bill? YES PLEASE.

Hecker played in almost complete darkness, save for the exit signs, fog, and glow from his Macbook. Every sound had me on the edge of my seat, wondering what was coming next. The set featured pieces from several albums, lending some familiarity to it all.

I only wish I would have taken place at an extreme volume. That’s an odd request coming from the guy that wears ear plugs when vacuuming the floor. Instead, the volume was very comfortable, allowing greater detail to come through. For the better, I suppose.

The Oneohtrix Point Never set featured some mind-melting projected images bordering on some sort of man/machine pop-culture/industrial dystopia. It fit very well with the music, some of my favorite in 2013.

Uncle Block’s harmonica.

6. Taking possession of my late, great-uncle Block’s chromatic harmonica.

When I was home for Thanksgiving, I noticed this petite, patinaed thing sitting in the “incoming mail” pile at my folks’ place back in Iowa. I thought it was something new. It seemed a little out-of-place there, as the only musical instrument around the house growing up was my sister’s clarinet. My dad said he’d had it for a while.

Later, I asked my uncle Bill about it at a family Christmas celebration. He said, “Block couldn’t really play. At all. Uncle Jack could though. He could play anything—fiddle, guitar, piano, harmonica.”

For me, it represents music as everyday activity. Not making a living with it or even performing in front of people. Rather, just playing to play because it feels good. That’s something to aspire to, if you ask me.

Top Six Things

Top Six Names Jazz Musician Sun Ra Used For His Orchestra

  1. Sun Ra and his Arkestra
  2. Sun Ra and his Myth Science Arkestra
  3. Sun Ra and his Astro Infinity Arkestra
  4. Sun Ra and his Intergalactic Arkestra
  5. Sun Ra and his Intergalactic Research Arkestra
  6. Sun Ra and his Outer Space Arkestra
Top Six Things

Top Six Thelonious Monk Song Titles

  1. Well, You Needn’t
  2. Crepuscule With Nellie
  3. Rhythm-a-ning
  4. Hornin’ In
  5. Bye-Ya
  6. Humph
Top Six Things

Top Six Words That I Use Regularly But Never Hear Anyone Else Use

  1. folks
  2. strictures
  3. whilst
  4. garner
  5. advert
  6. fancy (as a verb)
content strategy

Content Strategy Is All About CLARITY

Content strategists do many things, wear many hats. We may have different job titles, different duties each day. But really, what we do is simple. Content strategists provide clarity. It’s my chief deliverable, really. Not an audit. Not a set of content templates. Not even an editorial calendar entry. It’s clarity.

Clarity for content creators

Content creators do their best work when they approach their work with clarity. When they have a clear picture of their audience, business goals, and the content’s eventual home, good things happen.

Editorial calendars provide a clear plan for the coming weeks and months. Without them, content creators may scramble to find the right ideas. Channels start to languish. Stress builds, deadlines mount. The production cadence may soon assume haphazard status. NO ONE WANTS HAPHAZARD STATUS. Editorial calendars might take the form of a deliverable, but what they really deliver is clarity.

Content audits are the same. They provide insight (which is a form of clarity) into what needs work and what works well. Is the content accurate? Is it still on message? Is it complete and up to current standards? The audit will tell you. The audit is often a spreadsheet. It delivers details. It delivers CLARITY.

You’ll never guess what style guides can do. Provide clarity, you say? WELL DONE, FRIEND. Style guides help content creators articulate a brand’s personality or an organization’s value proposition in a consistent, easily-referenced fashion. Clarity.

Clarity for content managers

If your job involves the evaluation, maintenance, governance, or all-around wrangling of content at any place along the way, I’m willing to bet that you enjoy clarity, too. Each of these duties require guidelines and standards–the clearer, the better.

Publishing content online (on your site, a third-party partner’s database, a social media platform, etc.) goes smoothly when content managers know the ins-and-outs of each channel. Some of them have quirks, unique needs. Different inputs, outputs, viewports, devices accessing. Make these requirements known and declare their importance. Provide this, and you’ve provided clarity.

Clarity for leadership

Do you know who else enjoys clarity? Leadership. Leadership of all sorts and strata. They’re often tasked with articulating the efforts of content strategists when the time comes to fund projects to improve a content experience. When they have a solid content strategy in their hands and on their screens, they’ll have clarity.

Those same folks in leadership positions need to understand the importance of content. They’re often ultimately responsible for the outcomes of content marketing- and content strategy-related efforts. They want to know returns on investment. Performance and efficiency. They must know how content helps their bottom line. Keen ears and minds await. The clarity of content strategy is on the scene, know what I mean?

Clarity for consumers

Call them users, visitors, consumers, or whatever. The people that come to your online presence. They do not want a muddled, difficult experience. They want simplicity, ease-of-use, and delightful experiences. THEY WANT CLARITY.

Can they accomplish what tasks they set out to accomplish? Can they find a product or service? Can they do it without wading through tons of fluffy marketing jive, or press releases, or mission statements, or outdated information? Yes? Then you’ve provided CLARITY.

Clarity for ALL

There you have it. *cue Oprah Winfrey free car meme* You get clarity, and you get clarity. EVERYONE GETS CLARITY. (Clarity, not bees. Sorry for any nightmares from the above gif.)

I’m Clinton Forry. I’m a content strategist. I PROVIDE CLARITY.